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instinct & intuition

My Drawing Process, Pt. II

Posted on July 18, 2024August 20, 2024

Inspiration comes from unique places, and for me, I usually feel creative when looking at other art pieces. For this particular drawing, I referred to two different pieces (a photograph and an art piece, shown below).

Link to image sources
Link to image source

Charcoal is my favourite medium because of its intense pigment and chaotic, wild nature – I love how it gets all over me, from my entire hands to my elbows to I’m sure even my nose. It seemed fitting to draw this piece in charcoal, especially since I was going for a dark and shadowy atmosphere.

My beginning sketch, starting with getting the wolf’s proportions right, is shown below. With using this medium, I always draw lightly first with pencil, and then go over with charcoal.

© Hazel Raine, 2024
© Hazel Raine, 2024

Adding fur texture and details in.

© Hazel Raine, 2024

Smudging and adding layers of charcoal makes textures like fur seem more realistic. This is what I began in the images below, with darker and more detailed layers on top of the light, smudged ones.

© Hazel Raine, 2024
© Hazel Raine, 2024
© Hazel Raine, 2024
© Hazel Raine, 2024

Then I began working on the surroundings of the wolf – I was thinking at first of a smooth, flat, light grey background, but my plans changed.

© Hazel Raine, 2024
© Hazel Raine, 2024

Thinking the plain grey background was too boring, I tried a few different things, then decided I didn’t like where it was going.

© Hazel Raine, 2024

So: I covered it in black. Good old black.

© Hazel Raine, 2024

I blended in the charcoal a bit to make it more uniform, but still kept a bit of texture in the background to keep it interesting – notice how there’s tones of lighter grey in striations.

© Hazel Raine, 2024

And the piece is done.

The aura around the wolf could be seen as smoke, or mist, or fog, or light. It’s really up to the viewer’s interpretation. My main goal was to let the wolf’s intense white eyes stand out, and I think I fulfilled that, so I’m satisfied. As always, there’s things I learned from drawing this. I feel that some of the wolf’s proportions and angles are slightly off, and I liked the earlier versions of the fur as opposed to the end result. Maybe I’ll try this piece again someday.

Personally, I just love drawing animals, especially wolves, and I wanted to create a darker, foggy, more mysterious piece like the image I used as a reference. Shadow Side has become the temporary, if not definite, title. I’m looking forward to learning more and continuing my artistic journey.

8 thoughts on “My Drawing Process, Pt. II”

  1. Aloha69 says:
    July 18, 2024 at 11:40 am

    Thank you Hazel for capturing the evolution of this piece. Although your final product is awesome, i find the brighter background surrounding the wolf of the drawing before the finished product, more impactful on highlighting the intensity of the wolf in kind of a spiritual sense.

    Reply
    1. hazelraine says:
      July 18, 2024 at 3:07 pm

      Thanks for your comment <3

      Reply
  2. Nancy Wickstrom says:
    July 18, 2024 at 5:54 pm

    It’s interesting to watch the development of your drawings. Good work Hazel!

    Reply
    1. hazelraine says:
      July 24, 2024 at 11:35 am

      Thank you, Nancy!

      Reply
  3. Mama Bear says:
    July 18, 2024 at 7:35 pm

    Love this drawing of yours <3

    Reply
    1. hazelraine says:
      July 24, 2024 at 11:35 am

      <3

      Reply
  4. Papa Bear says:
    July 22, 2024 at 1:12 pm

    This is good work, and I look forward to the evolution of your composition skills and style. I prefer the stage where the wolf appears to stand on a reflective surface, with the darkened upper corners suggesting a cave of sorts. The aura and black background definitely suit the shadow side.

    Reply
    1. hazelraine says:
      July 24, 2024 at 11:35 am

      Thanks for your comment and input <3

      Reply

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